Fifty years after his death, Yukio Mishima is reemerging in translation
Mieko Kawakami’s intimate portrait of womanhood in ‘Breasts and Eggs’
Power and metaphor in ‘The Memory Police’
And almost all of them are written by women
Pleasure and prose in ‘Killing Commendatore’ and other novels
Kenji Miyazawa’s untranslatable masterpiece
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