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Sympathy for the Devil

Over-the-top as an art form

Some people don’t care for the work of Nicolas Cage. I get that. But I like him because he’s an excellent, versatile actor who can do drama, comedy (even self-parody), action and, most notably, whack job. Anyone can emote off-the-rails batshit, but rarely with Cage’s subtlety. You see, he’s mastered the art of just straddling the loco line, apt at any instant to erupt into violence. And he seems to be having a great time here doing it. If this makes some moviegoers uncomfortable, here’s the thing: Nic doesn’t care.

The thin plot here has a guy listed only as “The Driver” (Joel Kinnaman) just parking at a hospital where his wife is going into difficult labor, so it’s not really a good time for, say, a man referred to as “The Passenger” (Nicolas Cage) hopping into the back seat, pulling a gun and telling him to drive.

There ensues a rather predictable cat-and-mouse series of escape attempts, fisticuffs and senseless killings as we try to understand what the destination is and who, exactly, these two guys are. The final, ironic “twist” can be seen coming for miles. Let’s be clear. This is not a very good movie. But while off-putting, it’s never boring and succeeds in giving the unhinged-Cage fans exactly what they want. (90 min)

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Don Morton

Don Morton has viewed some 6,000 movies, frequently awake. A bachelor and avid cyclist, he currently divides his time between Tokyo and a high-tech 4WD super-camper somewhere in North America.