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Prisoners of the Ghostland

Prisoners of the Ghostland

Excess

By

WTF did I just waste 103 minutes of my life watching? Nicolas Cage (in most shamelessly whacko mode) is a notorious convict in a post-nuclear-catastrophe Japan who is granted his freedom if he can find and rescue a warlord’s daughter (Algeria’s Sofia Boutella, now reportedly looking for a new agent) from a radioactive settlement called Samurai Town.

But first he’s locked into a explosive-equipped leather jumpsuit, spawning the film’s best line when he is warned, “Your trousers are also equipped with explosives… one at each test-e-quel.” Gotta love it. Sofia, by the way, comes off as a damsel who can apparently deal just fine with her own distress. Japanese cult director Sion Sono has a unique, hyperactive style that’s admired by some. Based on this, which is admittedly the only one of his movies I have seen, I can’t count myself among them. Basically, he throws copious amounts of weirdness, light, color, violence, and Japanese pop culture into a blender in the hope someone will call it art. Someone will. It isn’t.

So just your basic narratively incoherent, gonzo, dystopian, silly, neon-colored, samurai, acid western, revenge, redemption, Mad Max-wannabe, forced-camp death dream. It made me tired. The movie is ridiculous. The fact that it’s aware of this is not necessarily a good thing. Get drunk first if you go see it.

Local angle: Tokyo’s own Charles Glover stands out as Samurai Town’s mayor, solely for being the only cast member not given to overacting. (103 min)

Don Morton Avatar

Don Morton

Don Morton has viewed some 6,000 movies, frequently awake. A bachelor and avid cyclist, he currently divides his time between Tokyo and a high-tech 4WD super-camper somewhere in North America.