Supported by Digital Hollywood, this program aims to showcase the best in original and creative use of computer graphics in film. From the rudimentary models of ’60s sci-fi movies to the ever astounding feats of Pixar, things have come along way in the big studios. But even the low-budget realisateur can make use of software to great effect these days. What’s more, the short film format allows for the expansion of off-the-wall ideas that might not go the distance of a feature. Some high-profile entries in this section include a nominee for the Academy Awards.
Our top pick is Edmond was a Donkey, by Versailles-born Frank Dion. Narrated by Edmond’s wife, the story tells how a coworkers’ prank of putting donkey ears on him changes Edmond’s life. The animation is richly stylized, and the artfully drawn faces create a sense of alienation at first. Contrasting a grey and melancholy rendition of urban life with the colorful pastoral world Edmond gains access to, this poetic exploration of identity and how humans see themselves and each other is complex and fascinating, and deserves multiple viewings.
Cat Shit One is a version of the manga series of the same name, that has also amusingly been called Apocalypse Meow in the US. Saving Private Ryan meets Watership Down, the story tells of two rabbits (representing Americans) who go on a daring mission in a war against the camels (representing the Arabs). As you can see, political correctness is not high on the bill, but if you want to see cute rabbits blowing the cat-shit-one out of each other, this is for you.
The elementary CG in The Stranger conveys the poignancy of the protagonist, a modern-day wandering minstrel. The musician sings Sean Fournier’s song “Broken Stereo,” attracting spectators, with whose human loneliness he has a tender connection. The Japanese director Masanari Murakami was studying fashion when he came into contact with film, later studying with Digital Hollywood, and continuing to focus on sound and atmosphere in his works.
Academy Award nominee The Gruffalo has everything—a timeless fable-like story (based on the widely popular children’s book written by Julia Donaldson), a star-studded cast of voices including Helena Bonham-Carter, John Hurt, and Robbie Coltrane, and colorful 3D graphics that nevertheless remain true to the memorable illustrations of book illustrator Axel Scheffler.
Short Shorts Film Festival & Asia 2012. Laforet Museum Harajuku, Omotesando Hills Space O, Brillia Short Shorts Theater, and Toho Cinemas Roppongi Hills. For more info see: http://metropolis.co.jp/ss12
Metropolis
Metropolis is Japan's No. 1 English magazine, covering the nation's culture, fashion, entertainment and lifestyle for both local residents and aficionados abroad.
