Yomigaeri no Chi

Yomigaeri no Chi

Originally published on metropolis.co.jp on December 2009 Toshiaki Toyoda is one of the most interesting and talented directors to emerge from Japan in the last ten years. His fresh and vibrant Pornostar (1998) announced the arrival of a new talent, and many critics (this reviewer excepted) praised his violent dystopia Aoi Haru (2002). Toyoda’s career […]

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Originally published on metropolis.co.jp on December 2009

蘇りの血」製作委員会

蘇りの血」製作委員会


Toshiaki Toyoda is one of the most interesting and talented directors to emerge from Japan in the last ten years. His fresh and vibrant Pornostar (1998) announced the arrival of a new talent, and many critics (this reviewer excepted) praised his violent dystopia Aoi Haru (2002). Toyoda’s career was put on hold following a drug bust in 2005, and this is his first film following that arrest. Yomigaeri no Chi is set in a mythic era when gods rule the earth and humans are fodder for their will. Lush forest visuals combine with striking imagery of tribal gatherings, feasts and primitive palaces. Based on a well-known Japanese legend, the story concerns the sage-masseur Oguri (Tatsuya Nakamura), who is summoned by ailing King Daio (Kiyohiko Shibukawa). Despite receiving superlative treatment, the king is insulted by Oguri’s casual attitude toward death, so he poisons the healer. In the afterlife, Oguri chooses to come back to this world—as an infant. Growing up quickly, he meets Terute (Mayu Kusakari), a concubine who has escaped from the king, and together they seek the Waters of Resurrection. Though slow, the film offers luscious imagery and is full of a sense of mythic power. A fine comeback for Toyoda. English title: Blood of Rebirth. (83 min)