Culture
Live Review: Squarepusher at O-East
The jazz-electro-breakbeat polymath goes full circle at his Tokyo return
LOVEHO SELECTS November
Three Tokyo Artists to Know | November 2022
Tokyo Music Scene: New Releases October 2022
Your monthly dose of new music from Japan
A Guide to Zines in Tokyo
A deep dive into the world of self-published print
J-Wave Innovation World Festa
Technology meets music at this year’s festival Oct 21 - 23
Found in Translation
Tackling Japanese literature as a couple, one line at a time
The J-League: Japan’s Highest Level of Pro Soccer
From the history of the competition to the players currently dominating
LOVEHO SELECTS October
Three Tokyo Artists to Know | October 2022
The democratic designs of Issey Miyake
"Think of things that can be created, not destroyed”
Tokyo Music Scene: New Releases September 2022
Your monthly dose of new music from Japan
The Rise of Multicultural Japanese Literature
Real, imagined, or hiding this whole time?
“Am I Hideous?”
The xx’s Oliver Sim on his solo debut, living with HIV and taking things less seriously
J-WAVE Inspire TOKYO 2022
Tokyo's best new inner-city music festival and market
TOKYO LOVEHOTELS
Introducing LoveHo Selects
Squadcar release “Dayglow”
Introducing the new track from former Tokyo indie mainstays
Gampeki Music Festival: “Spectrum”
The non-profit music festival changing Japan’s music scene
Jockstrap Interview
On creativity, perfectionism and their new album
Spreading Wings in Japan
An interview with Sarah Lane, guest principal of Houston Ballet
Fresh Ink: The First English Translations of These Japanese Literature Giants
A compilation of translated works
Tokyo Music Scene: New Releases August 2022
Your monthly dose of new music from Japan
Glad to be Human
Musician and activist Tom Robinson's return to Japan
Helsinki Lambda Club
Fighting homogeneity in the Japanese music scene